ARRIVAL OF SPRING

APRIL 28 - JUNE 19, 2021

François Xavier Lalanne
Mouton de Laine,circa 1965
Patinated cast aluminum, wool and painted plywood on casters
34 1/4 x 38 1/2 x 17 3/4 inches

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Now known as the Mouton de Laine, François- Xavier‘s celebrated sheep sculptures were first presented with the title Pour Polytheme, A reference to a passage in Homer’s  Odyssey. It describes how Ulysses and his comrades blind the cyclops Polyphemus, and escaped from his cave by clinging to the bellies of his giant sheep.

François Xavier Lalanne
Mouton de Laine (detail)circa 1965
Patinated cast aluminum, wool and painted plywood on casters
34 1/4 x 38 1/2 x 17 3/4 inches

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John Baldessari
Lead Cloud, 2017
Painted lead with aluminum core, stainless steel hardware
Edition of 25
16 1/2 x 22 x 5 inches

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David Hockney
The Arrival of Spring in Woldgate, East Yorkshire
in 2011(twenty eleven) – 30 April,2011
iPad drawing printed on paper
Edition of 25
55 x  41 1/2  inches

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Dave Muller
Somewhere Else, 2002
Acrylic on paper
32 x 40 inches

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Jonas Wood
Matisse Pot 3, 2017
Screenprint on museum board
Edition of 50
27 1/2 x 28 inches

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Kenny Scharf
Mareviva1998
Oil on canvas with custom artist frame
48 1/2 x 78 1/2 inches

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Part of what I do and what I want to do is I want to bring art into every day life. If you can take ordinary just walking in the street and you’re confronted by something that might change your day it might inspire you.

Kenny Scharf

Barry McGee
Untitled, 2018
Acrylic and aerosol on canvas, 9 elements
71 x 36 inches

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Jonas Wood
Matisse Pot 1, 2017
Screenprint on museum board
Edition of 50
27 1/2 x 28 inches

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Jonas Wood
Matisse Pot 2, 2017
Screenprint on museum board
Edition of 50
27 1/2 x 28 inches

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Jonas Wood
Untitled (Calder plant), 201
Colored pencil on paper
26 x 26 inches
SOLD

SOLD

‘When I met my wife… I started looking at vessels, I became interested in the Greek pots. Like basketball cards, they have a shape and a form, and they have images that are very flat, graphic, and simple. Basically, there are cartoons on the sides of the pots that tell stories.’

Jonas Wood