Miles Aldridge, Circling the Small Ads, 201729 1/2 x 40 1/2 inches
Color screenprint
Edition of 15
29 1/2 x 40 1/2 inches
Miles Aldridge, Hell….It’s Only Forever, 201752 3/4 x 29 1/2 inches
Color screenprint
Edition of 15
52 3/4 x 29 1/2 inches
Miles Aldridge, New Utopias #3, 201834 1/4 x 59 1/8 inches
Color screenprint with silver ink
Edition of 15
34 1/4 x 59 1/8 inches
Raymond Pettibon, No title (isolationism is not), 200424 x 18 inches
Ink, graphite and watercolor on paper
Signed and dated on verso
24 x 18 inches
Harland Miller, Can I Get Involved in Your Crisis?, 201556 x 43 inches
Unique hand-painted print (Acrylic and oil on screenprint)
Signed at bottom
56 x 43 inches
Raymond Pettibon, No Title (7th inning stretch), 199624 x 18 inches
Paint on canvas
Signed and dated verso ‘Raymond Pettibon 7/96’
24 x 18 inches
Raymond Pettibon, No title (in the game), 200127 1/4 x 22 1/2 inches (paper)
31 5/8 x 26 5/8 inches (frame)
Ink on paper
27 1/4 x 22 1/2 inches (paper)
Miles Aldridge, Better Than Life, 201729 1/2 x 40 1/2 inches
Color screenprint
Edition of 15
29 1/2 x 40 1/2 inches
Miles Aldridge, Thought After Filthy Thought, 201729 1/2 x 59 1/8 inches
Color screenprint
Edition of 15
29 1/2 x 59 1/8 inches
Ed Ruscha, H-Holy C-Cow Busted Glass, 201312 1/4 x 9 1/8 inches
Acrylic on museum board
Signed and dated at bottom
12 1/4 x 9 1/8 inches
Harland Miller, High On Hope, 201458 11/16 x 43 5/16 inches
15 color silkscreen print on paper
Edition of 50
Signed, numbered and dated at bottom
58 11/16 x 43 5/16 inches
Harland Miller, Happiness the Case Against, 201770 1/4 x 47 1/4 inches
Aquatint etching with blockprinting
Signed by the artist and numbered on the reverse
Edition of 50
70 1/4 x 47 1/4 inches
Raymond Pettibon, No title (The pitch), 200529 x 22 inches
Ink and watercolor on paper
29 x 22 inches
Raymond Pettibon, No title (Rolf), 198411 x 8 1/2 inches
Ink on paper
11 x 8 1/2 inches
Raymond Pettibon, Play Ball!, 198739 x 27 inches
Lithograph on paper
Signed and numbered at bottom
Edition of 65
39 x 27 inches
Raymond Pettibon, No title (may i come), 200218 7/8 x 12 5/8 inches
watercolor and ink on paper
signed and dated verso
18 7/8 x 12 5/8 inches
Raymond Pettibon, No title (i am resolved), circa 199015 1/2 x 12 inches
ink and paint on paper
15 1/2 x 12 inches
Raymond Pettibon, No title (the line has), 199615 x 22 inches
ink on paper
signed and dated verso
15 x 22 inches
Raymond Pettibon, No title (to gaze up), 199015 3/4 x 13 3/8 inches
ink on paper
signed and dated verso
15 3/4 x 13 3/8 inches
Raymond Pettibon, 1957. We cut a record, 198313 5/8 x 9 1/2 inches
ink on paper
signed and dated verso
13 5/8 x 9 1/2 inches
Raymond Pettibon, I didn’t get the job, 19849 x 10 3/4 inches
ink and colored pencil on paper
9 x 10 3/4 inches
Raymond Pettibon, Holy Bible (State II) (In his own eyes), 2003with Ed Ruscha
21 x 17 1/4 inches
Lithograph with hand painted text
numbered, dated and signed by both artists
Edition of 35 unique works
with Ed Ruscha
John Baldessari, Helmsman (with Various Fires), 1989-90overall 98 x 55 inches
photogravures with aqautint in color on three sheets
Edition of 45
overall 98 x 55 inches
Raymond Pettibon, Holy Bible (State II) (I broke all bounds), 2003with Ed Ruscha
21 x 17 1/4 inches
Lithograph with hand painted text
numbered, dated and signed by both artists
Edition of 35 unique works
with Ed Ruscha
Harland Miller, I Am the One I’ve Been Waiting For, 201249 1/8 x 39 3/8 inches
Silkscreen print
Edition of 50
49 1/8 x 39 3/8 inches
Harland Miller, Five Ring Circus – It’s All Fun And Games Till Someone Loses An Eye, 201237 3/4 x 26 inches
Giclee print on German etching
Edition of 50
37 3/4 x 26 inches
Harland Miller, Death, What’s in it for me?, 201137 13/16 x 26 inches
10 color silkscreen print
Edition of 50
37 13/16 x 26 inches
Harland Miller, On Me Not In Me, 201531 x 25 inches
Silkscreen print hand finished with gold leaf
Edition of 50
Signed and numbered
31 x 25 inches
